It was published on August 15, 2012,[4] and documents Collins's and Altmann's chance meeting and three years together, ending at her death in 2011. A year earlier, Adele Bloch-Bauer’s niece Maria had married Fritz Altmann, a handsome Polish-Jewish opera singer who was imprisoned at the Dachau concentration camp after … Ferdinand Bloch-Bauer died on 13 November 1945, soon after World War II, leaving his estate to a nephew and two nieces, one of whom was Maria Altmann. Find Maria Altmann in the United States. Collins travels around the world speaking at various venues about their unusual relationship. Early life. Many of their friends and relatives were either killed by the Nazis or committed suicide. Traveling by way of Liverpool, England, they reached the United States and settled first in Fall River, Massachusetts, and finally in the wealthy Los Angeles neighborhood of Cheviot Hills. Instead, her counsel settled for arbitration and in 2006 a panel of three Austrian judges ruled in her favour. In 2000, Altmann filed a lawsuit in the United States District Court for the Central District of California under the Foreign Sovereign Immunities Act (FSIA). Maria Altmann (February 18, 1916 – February 7, 2011) was an Austrian-American Jewish refugee from Austria, who fled her home country after it was occupied by the Nazis. Daughter of Moritz Bauer and Jeanette Bauer Wife of Dr.jur. She is noted for her ultimately successful legal campaign to reclaim from the Government of Austria five family-owned paintings by the artist Gustav Klimt which were stolen by the Nazis during World War II. Altmann's story has been recounted in three documentary films. He died in 1945, and his will left his estate to the three children of his brother, including Maria Altmann, who had managed to sneak her husband out of Dachau and head to America. Fritz died in 1994. Months after the Austrian government returned Altmann's family's belongings, she consigned the Klimt paintings to the auction house Christie's to be sold on behalf of her family. ... To Altmann, her Aunt Adele was a serious woman, one who had no use for children … Altmann is also portrayed in a memoir by her caregiver Gregor Collins, called The Accidental Caregiver: How I Met, Loved, and Lost Legendary Holocaust Refugee Maria Altmann. Soon afterwards, she sold the most famous of them, the portrait of her aunt Adele Bloch-Bauer dressed in gold against a golden background, to the Neue Galerie in Manhattan, New York, for $135m (£73m), a world record for a painting at that time. At 90 years of age, her victory over the obstinate Austrian government seemed to give Altmann more pleasure than either the paintings, which she had disposed of so quickly, or the fortune their sale had brought her. It reaches everywhere: the National Gallery in London has a long list of questionable provenances, including the famous panel by Lucas Cranach, Cupid Complaining to Venus, which during the second world war was in Hitler's personal collection. Historical Person Search Search Search Results Results Maria Altmann (1775 - Unknown) ... Maria Altmann married Stephan Dullinger and had 4 children. The name Maria Altmann has over 3 birth records, 1 death records, 1 criminal/court records, 9 address records, 2 phone records and more. Altmann was not old enough at the time to remember Klimt's visits. Maria Altmann's cousin, Ruth Rogers-Altmann, made it out of Vienna around the same time and settled in New York. Altmann is survived by her sons, Charles, James and Peter, a daughter, Margie, six grandchildren and two great-grandchildren. Maria became the face of cashmere in California and eventually started her own clothing business. The four additional works by Klimt were also exhibited at the Neue Gallerie for several weeks in 2006.[9]. fate took revenge: he was assigned to the apparel trade, installing many a system for my customers. In 2004 her action reached the US supreme court, which ruled that she could sue the Austrians. We found 3 entries for Maria Altmann in the United States. Since he and Adele had no children, he left his entire estate to three children of his brother Gustav: Robert, Luise and Maria. In total, the four remaining paintings sold at auction for $192.7 million; coupled with the Lauder-bought painting the sum total was approximately $325 million. It was then that Maria learned that her family's paintings had been stolen by the Nazis, not donated to the Austrian State Gallery by her aunt. Obituaries appeared in The New York Times, The Guardian, and many other publications internationally.[5][8]. [10][11], Altmann died on February 7, 2011 at her home in the Cheviot Hills neighborhood of Los Angeles, shortly before her 95th birthday. Maria Viktoria Bloch-Bauer was born to Gustav Bloch-Bauer and Therese Bauer on February 18, 1916, in Vienna, Austria. By this time, five of the paintings, Buchenwald (1903), Adele Bloch-Bauer I (1907), Schloss Kammer am Attersee III (1910), Adele Bloch-Bauer II (1912), Apfelbaum I (1912) and Häuser in Unterach am Attersee (1916), had made their way into the possession of the Austrian government. See the article on Altmann at the German-language version of Wikipedia. Maria passed away on month day 1962, at age 77 at death place. Born Maria Viktoria Bloch-Bauer in Vienna on Feb. 18, 1916, Altmann was the youngest of five children of Therese Bauer and Gustav Bloch. Parents. Fredrick was released and the couple fled for their lives. The avant garde of the Austrian capital was a relatively tightly-knit group which included the composer Arnold Schoenberg. She grew up visiting her uncle and aunt's grand house on Elisabethstrasse, filled with pictures, tapestries, elegant furniture and a collection of fine porcelain, all of which was appropriated by the Nazis, along with the family's sugar refinery, after they marched into Vienna. In monetary terms this represented the largest single return of Nazi-looted art in Austria. She is survived by three sons, Charles of Cheviot Hills, Peter of Puget Sound, Wash., and James of Agoura Hills; a daughter, Margie Crain of Solana Beach; and numerous grandchildren and great-grandchildren. After the war, Altmann’s family tried to get its paintings back, but Austrian authorities claimed Adele’s will had granted them to Austria. 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